Redemptive Art

The catalytic response from visitors surrounding my ArtPrize work caught the attention of the internationally known artist Makoto Fujimura. In 2014, Mako wrote, “Pamela Alderman’s installation The Scarlet Cord at the Ford Presidential Museum is attracting thousands. Her work of paintings combined with participatory, Yoko Ono-like installations hit home, and the lines for her exhibit…

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The Scarlet Cord: Making

The Scarlet Cord Collection, which first debuted at ArtPrize 2014, helps raise awareness for sex-trafficking. But it also speaks to deep emotional wounds caused by sexual abuse. Many male and female visitors have taken the first brave steps towards healing while experiencing the artwork. By using words or releasing tears in acknowledgement of what happened,…

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The Scarlet Cord: Culture Care

The Scarlet Cord can be described as street outreach—culture care to the most vulnerable in our communities. Visitors, struggling from child molestation, college date rape, or sex trafficking, verbalized their pain—maybe for the first time. Several actually laid their heads on my chest and sobbed. Thirteen women in West Michigan confided that they had been…

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The Scarlet Cord: The Inspiration

In partnership with Women At Risk International for ArtPrize 2014, my installation called The Scarlet Cord was housed in a 40-foot shipping container to raise awareness of human trafficking in the United States—the land of the free. That year, thirty thousand ArtPrize visitors received scarlet cords—a reminder to build a circle of protection around children…

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