ArtPrize 2014: The Scarlet Cord

Healing for Trafficked Children

Scarlet Cord setup

A dark thin film drifting in the air began to seep into our lungs as we stepped into the chilly warehouse. It almost felt foggy inside. The smell of mold worried me. But my need for thirty doors for my ArtPrize 2014 installation portraying trafficked children brought my son and me to this place.

After spying row after row of beautiful weathered doors, I forgot my respiratory concerns. Then I discovered that these doors came with a price tag. It didn’t take genius math skills to realize that purchasing thirty doors would be an expensive venture.

So I decided to ask the young woman behind the counter if I could talk to the owner. She directed me to another building. After listening to my passionate plea, the owner graciously said, “Select thirty doors, and I will take a look at them.” Not knowing exactly what he meant, I thanked him and hurried back to the warehouse.

For the next hour, my son and I sifted through doors. Our hands and clothes became filthy with grit and our fingers were numb. We set aside a few doors, and the woman behind the counter directed us to an adjacent warehouse.

The second warehouse was dimly lit. We even could see our breath. As we ventured deeper between the narrow rows of doors, I kept thinking: This is just the kind of place to stash at-risk children. A creepy place.

An hour later the owner came to see my doors. After carefully checking them, he was quiet for a moment and then said, “$35.00 for all thirty doors.”

Overwhelmed with gratitude, I started crying. Touched, the business owner hugged me. Six hours later, after two trips back and forth from the wrecking company transporting the doors, I launched The Scarlet Cord installation with $35.00.

Follow The Scarlet Cord on ArtPrize..

ArtPrize: Building Healing Environments

Dad and son filling out Hope Card

ArtPrize* ushered my artwork onto a large stage—with 70,000 people visiting the Amway Grand Plaza Hotel where I showcased my work in 2011. But for me, ArtPrize also became a catalyst to discover a hidden gift: an unexplored talent. I learned that I don’t just paint watercolors; I also build healing environments. Florence Nightingale, a nurse who helped soldiers on the battlefield over a century ago, explains the connection between healing and art. She said, “Variety of form and brilliancy of color in the object presented to patients are an actual means of recovery.”

In creating a mini healing environment with my 2010 Woman in Red collection—three watercolor paintings depicting a young woman’s struggle with a heart problem combined with a red dress on a mannequin—I learned something about the powerful healing potential of art. Within a five-minute interaction, visitors emotionally connected with my work; three years later people are still asking me, “Are you the red dress artist?”

Then in 2011, nearly 20,000 ArtPrize visitors actively participated in the healing process. Braving the Wind—a collection of three watercolor paintings portraying a young woman’s fight against cancer and an interactive Healing Tree—facilitated a healing environment that had a life of its own. By hanging Hope Cards on the tree, visitors remembered loved ones who had battled with cancer. As the artist, I only needed to get out of the way and allow others to become part of the artistic process. Many shed tears, and I witnessed precious interactions.

A window honoring Congo’s Silent Heroes—rape survivors from half a world away—and seven-foot pillars portraying the stories of courageous refugee women prompted several ArtPrize 2012 visitors to confide their own rape stories. In those tender moments, Courage Ablaze helped facilitate small steps towards healing.

ArtPrize provided the opportunity to create the healing environments, and visitors validated art’s healing potential. “Art offers the power to pause,” said New York artist Makoto Fujimura, “and the potential to find healing.” Combining meaningful stories with paintings that convey hope have helped many people process their pain and experience healing.

*ArtPrize is the world’s largest open art competition since 2009. For over two weeks, the entire Grand Rapids downtown changes into an art venue while public-based voting decides the winner. This unique event involves local and international artists and the active participation of the community.

Presentation: The Gift of Watercolor

I don’t just paint watercolors; I also build healing environments.

Over the last four years, ArtPrize has not only given me an opportunity to exhibit my work on a larger scale—with 70,000 people viewing my work in 2011—but it has also revealed a hidden gift.

Come and hear about how I discovered this unexplored talent.

Monday, June 3, 2013
Southwest Michigan Watercolor Society
Art Center of Battle Creek
Battle Creek, MI 49017

Healing Reflections in Watercolor

Paint brushes

Claystone Clinic is featuring fourteen of my original paintings entitled Healing Reflections in Watercolor. While hanging the artwork, the receptionist said, “Your paintings have a real presence about them.” The exhibition includes 2011 ArtPrize paintings and three new works.

As a 10-year-old, I started taking art lessons at the Old World Art Gallery at the mall. Although adults surrounded me, I wasn’t intimidated, and the teacher took a sincere interest in my artwork.

For twenty years, I have sold my artwork on a commission basis and taught some children’s art lessons in my basement. Currently, eleven Children’s Hospitals from Philadelphia to San Diego showcase my artwork.

In 2005 while briefly showing my portfolio to New York artist Makoto Fujimura, he said, “Your paintings speak of healing.” In that moment, he named my calling: to encourage the hurting and to offer hope.

DATES

March 23 through May 17, 2013

LOCATION

Claystone Clinical
3330 Claystone SE
Grand Rapids, Michigan

Free Watercolor Lessons

Women's Expo  2013

Do your watercolor paintings get muddy? Do your colors lose their brilliance? Join me this weekend at Women’s Expo for a free watercolor lesson.

Looking for some pointers? Bring in your painting for a free critique.

Feeling a bit shy? Come and watch me paint and pick up some pointers.

What to bring? Watercolor paints, brushes, easel, water container, paper towel, and paper.

West Michigan Women’s Expo at DeVos Place

March 8, 2013 Friday 10 a.m. – 8 p.m.
March 9, 2013 Saturday 10 a.m. – 8 p.m.
March 10, 2013 Sunday 11 a.m. – 5 p.m.