An Artist’s Story

Photos from Pamela's Color Me Orange—Color Me Kind, Broken Wings, and Open Hands projects

Healing in Arts 2021

Through my art, I’m on a healing journey with the audience. Art provides another way to resolve our inner conflicts. My work—as an artist without borders—extends outside the usual boundary lines of working through a gallery or an agent, as I create hands-on projects that focus on creative care. Somehow, God uses the heap of emotional wounds piled up in my heart to deepen the impact of this art and to help spread hope and healing to others.

We are grateful that more than fifty people joined our Zoom Chat series. The link below gives a peek into the virtual series; this one focuses on my artist’s journey. Enjoy!

Pamela’s Work

Over 350,000 individuals have participated in Pamela’s hands-on installations over the first ten years of ArtPrize. Drawing on her own journey towards restoration, her popular work continues to expand to new communities, focusing on finding solutions to life’s challenges. Contact Pamela today to commission an interactive exhibit, virtual experience, or inspiring presentation—utilizing art as a healing tool.

Do You Still Love Me?

Close-up of eyes on Nude Self Portrait

Do you remember the last time you really, truly made eye contact with another person? We often consider looking someone in the eye to be normal and polite, but usually it doesn’t last long before we glance away. Staring into someone’s eyes is surprisingly intimate—there’s a reason we call the eyes “the window to the soul.” Many times, it feels too uncomfortable to stare for too long: What will our eyes, or theirs, reveal?

As part of my post-graduate work this summer, I asked my husband to join me in a two-minute stare-down exercise. The assignment was somewhat painful, tender, funny, and grounding, all at the same time. For this project, my husband and I sat about eighteen inches apart, facing one another.

As I set the timer on my iPhone, my husband immediately took my right hand, and caringly held it throughout the entire two minutes. Within the first 30 seconds, as I stared into his warm brown eyes, we both smiled big, which made us both laugh. My husband asked, “Are we allowed to talk?” I let him know that we weren’t supposed to. Then we regained our composure—a reset—and resumed the stare-down.

As I observed his bushy brows, once a dark brown with flecks of red, but now completely white, they twitched and made some playful, tiny movements. I smiled again. My whole body felt relaxed, while my left hand rested peacefully across my lap.

In the second 30-second interval, a single tear fell from my right eye and slowly made its way down my cheek. I’m not sure I had ever felt such a slow migration as the tear’s downward movement took its time. My husband’s eyes warmed. I continued to try to emit “I love you” messages with both of my eyes. I saw his eyes blink a few times. I felt sadness, fear, vulnerability, and comfort, as I inwardly pressed into my husband’s strength.

I wondered, “Does he still love me, too?”

In the third 30-second time period, a second single tear finally streamed down my left cheek. This tear had remained on the edge of my left eyelid throughout the first minute. I wondered if it would ever become heavy enough to fall. When the tear finally fell, it wasn’t in a hurry either. By raising and then scrunching his gray brows, my husband seemed to ask, “Are you ok?”

I tried to communicate back through silent, Morse-code brain waves, “Yes, I am resilient. I love you.”

The final 30-second period seemed very long. I felt insecure as I stared into my husband’s eyes. Did his passion for me still burn? Did he see my deepening wrinkles and double chin? Was I still beautiful and alluring?

Nude Self Portrait (detail)

Nude Self-portrait: A study in brokenness, vulnerability, and resiliency (detail)

Time seemed to move so slow. But with each passing second, his eyes only grew warmer. He never wavered. His gaze remained constant.

My eyes never left his. I still belonged to him after almost four decades. Our years, full of adventure, spanned three continents, from Japan to Germany and everywhere in between. Memories poured through my mind: laughter, tears, walks, date nights, conversations, a daughter, fights, a son, misunderstandings, cross-country moves, another son, an international move, a third son, four grandchildren, and more lovemaking.

I suddenly picked up my phone to see if the timer was still going. It felt like we had gazed at each other for an eternity. But we had another two seconds to go. At the end of our two-minute stare down, my husband affectionately dried the tear off my right cheek with his two fingers. I leaned toward his tender touch. We both smiled. As we stood up, he wrapped his arms around me and drew me close.

Throughout this two-minute exercise, my eyes were tempted to break away, even for a second. But as I pushed past the discomfort, I experienced a new intimacy with my husband. Somehow, the brief exercise advanced our marriage to a new level of trust. For the rest of the day, my soul felt at peace: My husband still loved me, and I loved him.

Nude Self Portrait

Nude Self-portrait, Pamela Alderman, Mixed media, 75 x 28-inches, 2020

Childhood Studio

Childhood art studio

Through an art class, I have been recently introduced to artist Rochelle Feinstein. Feinstein writes about the importance of chronicling the creative process and each stage of making. She explains that these various periods became special markers.

For her, the history of making started when she was only four years old. Her space, a child sized bed, “supported a menagerie of stuffed animals, systematically arranged by color, size, and species.”[1] Though unaware at the time, Feinstein, from a young age, was already setting the stage for her future studio work.

Reflecting on Feinstein’s creative journey, I had my own epiphany. After living everywhere from Japan to Germany and places in between, my husband moved our family to my childhood home in the Midwest. Years later, after our children left the homestead, I have a whole house with unoccupied spaces to expand my studio into. As the light changes throughout the day, I shift my projects from one room to the next, following the sun from rise to set.

One sunny morning, while sitting on the floor of my childhood bedroom to work on my next ArtPrize installation, I realized that I was in the exact spot where my artist’s heart first formed. My studio practices started in that very room. As a child, I spent hours after school on the floor in my bedroom, creating mini-installations from old shoe boxes, Dixie cups, fabric, sequins, and all kinds of other found treasures. In that moment, I uttered a prayer of gratefulness—my creative journey had crossed two oceans, three continents, only to return back home to the humble floor of my childhood studio.

Mock-up model for Yellow Ribbon installation

To design Yellow Ribbon, I started with a paper pattern. Next, I created a foam board model.

[1] The Studio Reader: On the Space of Artists, Grabner, 2010, University of Chicago Press, Rochelle Feinstein, p 21.

Broken Art

Broken, imperfect seashell filled with tiny holes

When I was young, my family spent a lot of time at the beach. My husband and I have continued that tradition with our own children. Last summer, while walking along the Atlantic Ocean’s edge, I thought about these nostalgic childhood memories.

Although most beach-combers may look for perfect shells, I found a rough, broken shell that is filled with hundreds of tiny holes. The beauty displayed within the broken piece reminded me of my less-than-picture-book-perfect history. But over time, life’s disappointments and wounds have perfectly formed me into the kind of artist I am today—a creative person who identifies with and cares about those who are hurting.

I actually collected two broken beach shells to display in my studio. But while my friend was visiting my studio, she was drawn to the rare beauty of the broken seashells. So, I gave her one of my found treasures to encourage her through her recent cancer battle. A couple of months later, after recovering, my friend told me that she had since passed along the broken shell to someone else, who was struggling through a divorce.

I was very surprised to learn that a relic I had originally collected to display in my studio had taken on a new purpose as a symbol of hope. After discussing our own brokenness, the disappointments, struggles, and wounds, my friend and I both wondered: How many more individuals would be touched with healing as the broken shell is passed from one hurting friend to another?

Passing on seashell

Lifting Others on Wings of Hope

Abstract butterfly made of handprints created by Pine Grove Learning Center students

Abstract work created by Pine Grove Learning Center students and Artist Pamela Alderman, with the generous contribution of Frames Unlimited.

To my surprise, special-education teacher Anne Aurand, my neighbor, left a bag in my mailbox filled with beautiful handprints painted by the profoundly challenged students from Pine Grove Learning Center. While spreading the creative treasures across my studio floor, I had a strong sense of the value of each precious student. I wanted to take my time to find a special idea of how to honor each student. A month later, as I arranged the handprints, an abstract butterfly shape emerged. This incredible piece portrays the physical gesture of open hands lifting each student on Wings of Hope.

Our healing art involves you—because you matter!

#Art #Hope #SpecialEducation #Collective #students #2020 #hands

Josephine’s Courage

Faith - 2018 watercolor painting in progressTold in Josephine’s own words

“My husband and I heard a man knock on the door. The door was largely open. Soldiers were emerging inside the house; we made a loud noise and asked rescue to anyone who could hear us.

“I started to cry, and my husband cried too. I could not imagine that death entered my life. I trembled like a sheet of paper. The soldiers asked us for money. My husband gave all that we had. Before they wanted to leave, the commander had already torn my clothes.

“That night, because I am a woman who is now known by several men, I lost my husband too. Many do not want to associate any more with me because I do not *smell well. I do not know how to join together a little money to request a surgical operation. I must forget and forgive my torturers and look at the future in front of me.”

* Because of the fistula—created when she was raped, Josephine’s bladder leaks like a sieve.