Broken Wings: Patterns of Resiliency

Broken Wings No. 3 in progress

Broken Wings No. 3 – Patterns of Resiliency

3 x 3 foot Mixed Media

A collaborative work with Breton and Raybrook Assisted Living Facilities and artist Pamela Alderman

Monarch butterflies migrate from Canada to Mexico every autumn. Somehow, millions of delicate butterflies complete the dangerous 3,000-mile journey in spite of severe weather, pesticides, and habitat loss. Like the Monarch, the Greatest Generation has shown us how to push through many treacherous obstacles—such as World War II and the Great Depression—for survival.

Staff members, the artist, and this generation, known for their work ethic and resiliency, tediously painted 324 plexiglass tiles. But no one could imagine the outcome because the thin blue film protecting the front side of the tiles wouldn’t be removed until the last class. So, during this stage of the artistic journey, our mosaic butterfly painting was secretly developing within the creative chrysalis.

From the onset, we discussed the word “survivor.” One senior felt prompted to portray her World War II experiences on the two-inch tiles. She said, “The blue and green stripes on the first tile represents the Allies flying over the Netherlands. The second tile depicts the time after the war when we were allowed to fly the red, white, and blue Dutch flag again.” Her example demonstrates how hardships and stress can strengthen us.

When the final tiles were glued into place, the residents gathered to witness the emergence of our Monarch butterfly. Their excitement grew as they eagerly located the tiles they had personally painted. Collectively, we celebrated the Greatest Generation and produced an elegant butterfly, giving subsequent generations a flight pattern—of faith, resiliency, and hope—to weather life’s uncertainties.

Contact Pamela to schedule your Interactive Event Art.

Participatory Art for Grandparents

Breton Woods and Raybrook residents participate in Broken Wings projects

The Breton Woods and Raybrook Assisted Living Facilities commissioned ArtPrize Top 20 artist Pamela Alderman to help guide residents through art engagement projects. For seven weeks under the direction Pamela, residents from all levels of care created six interactive healing pieces. The final work will be showcased during Holland Home’s Long-Term Care Week.

Breton Woods and Raybrook residents participate in Broken Wings projects

One resident’s son said this:

My mom had a great time in your art class. You truly encouraged and challenged her by helping her to be part of your art. Thanks for all you do for those with their own broken wings. Mark

Breton Woods and Raybrook residents participate in Broken Wings projects

Contact Pamela to schedule your Interactive Event Art.

Broken Wings: ArtPrize Blunder

Throughout the ArtPrize years with over 270,000 individuals personally interacting with my healing work by writing notes, signing names, hanging paper prayers, or tying ribbons, I have gained a decade of experience as the maker of participatory artwork. But I also have had to learn—how to flow—with the interactive nature of each work from some very painful mistakes. Here’s an example of one of those difficult lessons:

In 2011 at Braving the Wind, an exhibit about remembering cancer survivors, visitors were invited to write a note and hang it on the metal Healing Tree. Most people understood the purpose for the interactive work. But a French family misunderstood.

Their son had written a birthday wish to a friend and hung it on the Healing Tree. When they mentioned the birthday note in their broken English, I explained that the work was for cancer survivors. They were so embarrassed that they removed their son’s note and left. In that terrible moment, I realized my blunder. It really didn’t matter that they had misinterpreted the work. I had ruined the healing moment for that dear family.

Consequently, I learned a big lesson. The hard way! I would have done anything to have had a second chance to redo the conversation with that French family.

But my failure taught me a valuable lesson: Pamela, let the work uniquely speak to each individual! Whether people understand the exact meaning of the work or not, it doesn’t matter. Just let the work work!

That same year a few days later, a female visitor also had a unique response. Divorce had been her cancer. So, she hung a note about her pain-filled divorce. Throughout the years, my interactive work has prompted many special healing occasions for ArtPrize visitors and helped me gain experience in allowing it to happen.

This year at Broken Wings, my ArtPrize Ten work about bullying and school shooting, a woman started crying when she realized that the exhibit invited interaction. Her sister had died as a result of burns in an accident. Overcome by the beauty of the work: A healing moment was born. As she wrote a precious remembrance on a band for her sister, she asked me to snap a photo. The tears continued to flow as she connected the band onto Broken Wings. The work invited this tender moment.

Because my bumbling interaction with the French family is still fresh in my memory, valuable lessons have been gained on how to adapt with each situation. Interactive healing art needs to be fluid. And each healing work works differently. So, a decade later, I have had over 270,000 opportunities for personal growth moments with each special healing interaction!

What mistakes have turned into life lessons for you?

Broken Wings
Grand Rapids Public Museum
272 Pearl Street NW (west of the river)
September 19 to October 7, 2018
Vote #66688

In light of the recent tragic school shootings across America, find out how you can create positive change from national bullying specialist Jeff Veley.

Share your story #BrokenWings

Our healing art involves you—because you matter!

Broken Wings: ArtPrize Ten

Me and that first ArtPrize now years ago? Let’s just say that when I began ArtPrize, I traveled a very steep learning curve. I didn’t know how to use a computer. I couldn’t remember ever attending a formal speech class. And I had very little training in writing. And all of these skills are essential to be successful as an artist. And then there was this little problem: I hadn’t painted in almost two decades.

But here are some of the strengths that I did have: Life experience. Perhaps age is a limiting factor with athletes. But for an artist, age deepens creativity and adds a fullness that continues to intensify with age. I also have heart. I’m willing to work hard and learn new things. And I can be persistent, which for artists is a must. So, these qualities combined with unwillingness to quit spells: She’s on the right track.

But even having these strengths don’t guarantee success. So, what is the secret behind the work? Why do thousands of visitors keep coming back, year after year, to experience it? Well, the answer is quite simple.

Each of my art installations have this huge army of friends praying for the work and for the ArtPrize visitors. Simply put, that’s what empowers my healing art. That’s why people connect with it. No other reason. Period.

Broken Wings
Grand Rapids Public Museum
272 Pearl Street NW (west of the river)
September 19 to October 7, 2018
Vote #66688

In light of the recent tragic school shootings across America, find out how you can create positive change from national bullying specialist Jeff Veley.

Share your story #BrokenWings

Our healing art involves you—because you matter!

Josephine’s Courage

Faith - 2018 watercolor painting in progressTold in Josephine’s own words

“My husband and I heard a man knock on the door. The door was largely open. Soldiers were emerging inside the house; we made a loud noise and asked rescue to anyone who could hear us.

“I started to cry, and my husband cried too. I could not imagine that death entered my life. I trembled like a sheet of paper. The soldiers asked us for money. My husband gave all that we had. Before they wanted to leave, the commander had already torn my clothes.

“That night, because I am a woman who is now known by several men, I lost my husband too. Many do not want to associate any more with me because I do not *smell well. I do not know how to join together a little money to request a surgical operation. I must forget and forgive my torturers and look at the future in front of me.”

* Because of the fistula—created when she was raped, Josephine’s bladder leaks like a sieve.

Faith 2018

Faith - Part of the Courage Ablaze series, Pamela Alderman, 12 x 16 inches, Watercolor on paper, 2018Viewer Responses

Amazing process in how you work the face. The mouth being the last part of the painting. Women who had been seemingly silenced by horrific circumstances—reawakened with the restoration of their voice through accompaniment of listening hearts and ears that gift compassion and hope. Maura

I see the past pain in her eyes but hope for the future too. This is a living painting.

I’ve been watching your Congo art forms evolve. Your hand has become graceful in its touch. Insightful now. Anna

Those eyes speak volumes. Barb

Faith – Part of the Courage Ablaze series, Pamela Alderman, 12 x 16 inches, Watercolor on paper, 2018

Instagram @ Pamela Alderman

#paint4healing
#artistcitizenwork

A New Test of Courage

Faith (detail), Pamela Alderman, Watercolor on paper, 12x16 inches, 2018

After posting Sabina’s story and image a few months ago, my friend Laurie asked me to paint another Congolese work. But Laurie’s request posed two challenges for me. The first challenge was to paint a watercolor painting. Four years ago, I had tucked away my watercolor paints—partly in frustration with my watercolor work at the time and partly because it was time to expand my art into new areas. I worried that the painting might flop due to a lack of practice.

Secondly, I had made up my mind to retire my Congolese artwork. But with that announcement, Laurie’s challenge came. This posed another dilemma: Would I stick to my plan and keep the work retired? Or would I allow my passion for the Congolese people to be rekindled? In the end, I decided to haul out my watercolors, face my insecurities, and paint.

It was also amazing to discover that the same emotional response to painting the Congolese work back in 2012 was still active. Throughout the entire painting process, my soul bled—through my paint brush onto the canvas—for Congo’s pain. So now I wonder: Is my Congolese work finished?

Instagram @ Pamela Alderman

#paint4healing
#artistcitizenwork