Color Me Orange—Color Me Kind: School Bullying

After the suicide of Zoe Johnson, a West Michigan thirteen year old, a fellow student wrote on the victim’s Facebook page: “Good ur gone.”

I don’t know all the details involved. But after listening to the news report on bullying, I felt compassion for Zoe’s mother and what must be her complete devastation by her daughter’s death and the tragic outcome, in this case, of school bullying.

Color Me Orange—Color Me Kind shines a spotlight on bullying. The installation is specifically tailored for middle school students—often the most vulnerable. Some students like Zoe suffer so intensely from bullying that they believe that suicide is the way to end it all.

The Artwork

Color Me Orange—Color Me Kind is a 16 x 4 x 6-foot wooden structure enclosed by orange mesh walls. The work also supports an eight-foot focal art piece, weighing approximately 140 pounds, which shows Koi fish struggling to swim upstream; this struggle represents our challenging relationships.

The two top layers of the artwork are made up of painted Plexiglas fish and splashes. The placement of these fish and splashes creates a sense of energy and tension. The following side view shows the multi-layer artwork.

Acrylic fish on plexiglas Fish and splashes (side view)

The Plexiglas panel located below the fish represents the river water. The following photos show the back side of the Plexiglas panel that is painted with several layers of acrylic paint. From the front view, each layer creates texture and the sense of depth. Some of the current has been left unpainted to give a glimpse of the riverbed. This multi-layered art piece rests on an eight-foot stainless steel base etched with current marks that portrays river bottom movement.

Plexi panel (back view): Layer one
Plexi panel (back view): Layer one

Plexi panel (back view): Layer two
Plexi panel (back view): Layer two

Plexi panel (back view): Layer three
Plexi panel (back view): Layer three

Viewing the artwork from the front, visitors can see through the splashes and river current, enhancing a multi-dimension visual experience. The installation is situated next to the pond and waterfalls of the Ford Presidential Museum, giving water sounds, and, if the wind is just right, the spray of water.

Interactive Healing Installation

Fifty thousand orange ribbons have been prepared for visitors to interact with the work. As ArtPrize viewers tie orange ribbons on the canvas, the see-through orange mesh fencing will become opaque with color. Thus, as a community, we will be symbolically coloring with kindness.

By choosing to be deliberately kind, our actions have the potential to brighten someone’s world.

Maybe kindness, love, and understanding would have helped Zoe’s school situation and resulted in a different outcome. Life-affirming creativity that invites reflection and flourishing can heal.

Color Me Orange—Color Me Kind

ArtPrize Eight (2016) Artist

Coloring with Kindness
Gerald R. Ford Presidential Museum
September 21 to October 9, 2016
Vote 62626
(Located outside on the museum plaza)

Tell Us Your Story. #ColorMeKind

Courage Ablaze Continues to Ignite Hearts

7 foot pillars and other elements of the Courage Ablaze installation

Courage Ablaze tells the story of the innocent women and children caught in the crossfire of annihilation in the Eastern Democratic Republic of Congo. Though the fires of adversity scorched their families, these fierce women are salvaging what’s left and starting over. Since first debuting at ArtPrize 2012, I completed twenty-five additional portraits and recorded several more Congolese stories.

Courage Ablaze watercolor paintingFrom ArtPrize 2014 to several solo shows including the last exhibit at Michigan State University, Courage Ablaze acted as a catalyst to open hearts. Though the work told the stories of Congolese women half a world away, several American visitors confided their own rape stories. Courage Ablaze facilitated small steps towards healing as individuals shared their pain. I’m grateful for the opportunities to touch so many visitors with the untold story of DRC Congo.

A Tip of the Hat to My Congolese Friends

Loyalty - watercolor painting from the Courage Ablaze seriesI would like to acknowledge the Congolese leaders who kindly supported Courage Ablaze throughout the last few years. Kizombo Kalumbula, a naturalized Congolese pastor and director of International Berean Ministry, joined me in several presentations by educating the audience on the reasons for the conflict and the complex history of the region. Le Clay, Congolese refugee singers from the Leon Lusamba family, helped humanize the statistics by singing Congolese songs in French, Lingala, and Swahili at our presentations. Florimond and Jeannette Kabanda from Congo International Ministries and Paul and Charlotte Mpindi with Mission French Africa have also supported the work. I would also like to thank the numerous Congolese models and storytellers for their courage and vulnerability in allowing their lives to be portrayed with paint brush and pen.

Nibito’s Story

The Congolese women first captured my heart back in 2011. Since that time, I have been continually amazed at their strength and valor. A few months ago, I saw a video of a Congolese woman being reunited with her children after years of separation. The happy family laughed, hugged, and danced. But another woman near the end of the video caught my eye, a woman whom I happened to know. I’ll call her Nabito. Nabito was separated from her child years ago when rebel soldiers raided her Congolese home. In all probability, Nabito will likely never see her child again. Yet, in the video, she was laughing, hugging, and even dancing along with the other family as they celebrated their reunion. As I watched the video, Nabito’s gratuitous generosity moved me to tears.

The Congolese women, women like Nabito, have expanded my definition of courage. Their tremendous strength of character, their determination to survive, in spite of enormous loss, inspires me. These Congolese women have taught me new lessons on how to respond to adversity. Truly, these women and children are my heroes.

The Work Lives On

Love - part of the Courage Ablaze watercolor seriesIn June, Courage Ablaze joined the permanent collection at Bethany Refugee and Immigration Services where the art will continue to tell the story of the women and children of DRC Congo. Bethany has the resources to reach beyond my influence, as a culture care artist, for the Congolese people.

So the past five years of work with my Congolese friends reaches a transition. The journey has been difficult. It isn’t easy telling the stories of immense atrocities and pain. After loading the truck and watching the artwork leave my studio, I felt a sense of release. Deep satisfaction. Up to this point, I have done all I can do for the Congolese people. Perhaps, one day, I may highlight the courageous stories and artwork in a book—and maybe even travel to Africa. But for now, I pray that Courage Ablaze continues to ignite a fire of hope beyond anything I could ever imagine and that peace will ultimately prevail for these beautiful women and children of DRC Congo.

Painting with My Hands

Seascape - Pamela Alderman, 2016

My newest series of waterscapes are done by painting with my hands. A tactile experience. Wearing surgical gloves, I apply the oil paint very quickly and create a spontaneous work by following the emerging forms. Viewers say they can hear the water.

Except for the tiny stones in the foreground, which I used a small brush to form, this work was “mostly” painted with my hands.

Healing in Arts

Mother and children hang Hope Cards on Healing TreeHealing in Arts successfully creates community with a new healing paradigm for art making in a world where rapid cultural fragmentation alienates us. A superficial world where people ricochet from one activity to the next. A cyber culture where we rack up 5,847 synthetic Facebook friends. A culture where we spend less and less real face time within meaningful relationships.

Well-known artist Makoto Fujimura explains how my art facilitates healing: “Art that focuses on the audience rather than the artist’s need for self-expression is unique. A paradigm shift.” By serving others and inviting soul care, the art helps unlock people and move them towards human flourishing.

For example in 2014 after viewing The Scarlet Cord, an anti-sex trafficking installation, a middle-aged woman leaned into me and released a heavy sigh, I felt it to the core. Then she walked away. Not a single word was spoken. But something transpired. Whether large or small, this woman experienced healing—at an art installation.

In the midst of our rapid growing cyber culture where increased isolation breeds loneliness, the viewers feel validated and cared for; their stories underscore the need for creating donor supported Healing in Arts. Time and again visitors experience what T.S. Eliot calls the still point: A significant place in time. A moment of release where change and transformation begin. Healing in Arts, through the art making, builds healthy communities where real people experience renewal and healing.

I know many of you will want to help make Healing in Arts happen.
Donate through New Horizons Foundation

Project name: Healing in Arts

The Scarlet Cord at Manasseh Project

Scene from The Scarlet Cord video

That night I couldn’t sleep. Images of humans displayed like animals in a pet store window haunted me.

When I was nineteen, while traveling through Europe, our tour bus stopped at the Red Light Windows of Amsterdam. As I stood in the middle of the district, window after window displayed women perched on chairs—selling their bodies. Next to each window was a door; a steady stream of men flowed in and out of each door.

The IMPACT

I didn’t know that during my trip—the enormous abuse and degradation of women I had witnessed would grow into an ArtPrize art installation one day to help raise awareness for the children who are sex trafficked in Amsterdam or Thailand or even Grand Rapids.